STONE: Just watch her dodge the truth like a runaway streetcar This role she plays could win her a prize Each gesture is correct Well chosen for effect And it would be wiser if i kept my eyes off her thighs
ALAURA: This song and dance of his is most unconvincing He has that hungry look in his eye He needs the work and soon Some cash'll change his tune He'll hop to the task I'll say jump and he'll Ask me how high
STONE: This job is not to be believed And i do not believe a word Between her double talk and all that's unsaid I'd bet the farm that there'll be trouble ahead
I might be willingly deceived 'cause i can trust myself around her Even less than i trust her But even so i need the dough
BUDDY: I buy a book and i get stuck with the author You buy a rose you're stuck with a thorn It's undeniable The guy is pliable And shakespeare and dickens were washed up before i was born
STINE: This job is not to be believed And i cannot believe my luck I'm at the literary prime of my life And i'm about to have the time of my life Unless i'm easily deceived Though buddy doesn't tend to sugarcoat his comments He's all right All bark, no bite
I've always longed for a chance to be watching A book of my own on the screen To look up and see stone on the screen Would be better than fine Sit with my wife in a crowd As the credits are shown on the screen In a frame all alone on the screen It says "screenplay by stine"
For making movies out of books They say that buddy wrote the book I can depend on him to give me some lip But you can trust a guy who shoots from the hip Out here where nothing's how it looks It's hard to disregard a candid stand-up guy Who skips the double talk And lets you know exactly what he's thinking about you And i can beat the odds And meet his demands Though i'm a stranger in This strangest of lands.
This mad adventure i've begun Is unlike anything i know It's gonna be a lotta work And lots of fun And pots of dough
GABBY: You are the type of man who looks For understanding lovers
OOLIE: But never understands the girl Who lies beneath the covers
BOTH: You only have to open up your mouth to show
GABBY: What you don't know
OOLIE: (And you don't know)
BOTH: About women A woman needs to be assured That she remains alluring To now and then be reassured Your passion is enduring
GABBY: It's not enough to know your line To polish and routine it
OOLIE: (And heaven knows i know your line The whole routine, i've seen it)
BOTH: Ya gotta mean it
GABBY: What you don't know about women
OOLIE: (What you don't know about women)
BOTH: Is what we need to hear
GABBY: You think if you can sound sincere Then we'll come running to you
OOLIE: Throw in some truth for atmosphere But we can see right through you
BOTH: And ev'ry hollow compliment and phrase defines
GABBY: And underlines
BOTH: What you don't know about women
You think what i don't know will not hurt me But you don't know how often you do How long ago did good sense desert me I don't know why i still burn for you
GABBY: You're immature and shortsighted
OOLIE: You're an incurable player
GABBY: You show a lack of discretion
OOLIE: You don't know jack about heartache
GABBY: You're out of sync with your feelings
OOLIE: You only wink at commitment
GABBY: You're running low on emotion
BOTH: What you don't know about women's Only a drop in the ocean Next to what you don't know about me You are in need of A little enlight'ning On ladies and love But you can't see
What you don't know about women Is fright'ning And you don't know nothin' about me
BOBBI: There's not a morning that i open up my eyes And find i didn't dream of you Without a warning, though it's never a surprise Soon as i awake Thoughts of you arise With ev'ry breath i take
At any time Or place I close my eyes and see your face And i'm embracing you If only i believed that dreams come true
Darling, You were the one who said forever from the start And i've been drifting since you've gone Out on a lonely sea that only you can chart I've been going on Knowing that my heart will break With ev'ry breath i take
You were the one who said forever from the start And i've been drifting since you've gone Out on a lonely sea that only you can chart I've been going on Knowing that my heart will break With ev'ry breath i take
MALLORY: Mr. detective, you've been looking too hard You should've started looking in your own back yard.
(STONE covers her with the sheet and turns on the lights)
Lost and found Lost and found You've earned your salary Searching for mallory Wanna play lost and found Well, then, here i am On the lam You've been assigned to find out where i've been And now you've found me in your bed And though my daddy said to turn me in Why don't i turn you on instead
Teasing lips Pleasing thighs Easy on Private eyes
If you're not celibate We could raise hell a bit Why don't you call my bluff Don't resist You won't know what you've missed You'll never tame me But you can claim me At the lost and found
STINE: You are some gumshoe You just don't think well Get this, dumb gumshoe, You come from my inkwell
Is your mouth lonely With one foot in there Stone, your brain only Holds thoughts i put in there
Just what you are i'll spell out You are a novel pain One speck of lint that fell out The last time that i picked my brain
STONE: You are so jealous Of my track record Tolstoy, do tell us Your feeble hack record
Your weak knees brand you Soft and unstable One small threat and you Fold like a card table
You drool at my adventures Your broads in bed are bored Go home and soak your dentures Your pen is no match for my sword
BOTH: You're nothing without me A no-one who'd go undefined You wouldn't exist You'd never be missed
STINE: I tell you you're out of my mind
BOTH: A show off, a blowhard You're equal parts hot air and gall And no one would doubt me Without me you're nothing at all
STINE: You're in my plot I'm still your creator I call each shot I'm your private dic-tator
STONE: You are so thick, you Eat, breathe, sleep fiction I'm your meal ticket Knee-deep in cheap fiction
STINE: You gloating ignoramus You haven't any shame
STONE: Hey, i'm a famous shamus And most people don't know your name
BOTH: You're nothing without me Without me you'd just disappear Right into thin air And no one would care Or notice you were there
A puppet, an upstart A loser who's destined to fall I'm everything you always wanted to be Let's deal with the issue: You wish you were me You're nothing without me Without me you're nothing ...
(To prove his dominance over STONE, STINE resumes typing, Reactivating MUNOZ, who steps back into the light)
MUNOZ: (Spoken, to STONE) Let's go!
STONE: Manny, wait!
MUNOZ: I said, keep my name out of your mouth!
(MUNOZ punches STONE hard, in the stomach, sending STONE to his knees. STONE stares at STINE, a character betrayed)
STONE: You bastard!
(STINE, ignoring him, types four letters)
STINE: "Fade..." (Types three more letters) "Out." (And the LIGHTS do just that, on MUNOZ and STONE. Then:)
STINE: (Sings, triumphantly) You're nothing without me Without me you're nothing at all
OOLIE: I come from a long line of good girls Who choose the wrong guy to be sweet on The girl with a face that says welcome That men can wipe their feet on
I'm there when he calls me The trusted girl friday alright But what good does it do me Alone on a saturday night
If you need a gal To go without sal'ry and work too hard You can always count on me The kind of a pal Who'd sneak you a file past the prison guard Loyal to the "nth" degree The boss is quite the ladies man And that's my biggest gripe Till i showed up he's never hired a girl cause she could type I'm no femme fatale But faithful and true as a saint bernard Barkin' up the wrong damn tree You can always count on me
(dialouge)
Donna: I don't need a map I nat'rally head for the dead end street You can always count on me I'm caught in a trap When joy is approaching then i retreat I'm at home with misery I've been "the other woman" since my puberty began I crashed the junior prom And met the only married man I'm always on tap For romance or choc'late that's bitter sweet You can always count on me
I go for the riff raff Who's treating me so so When i can play the second fiddle I'm a virtuoso I should be playing for a wedding band But there're no wedding rings attached Though you can bet there're strings attached
A matter of fact, If you want an ill-fated love affair You can always count on me
Though i've made a pact To carry out research before i care Men don't give a warranty One joe who swore he's single Got me sorta crocked, the beast I woke up only slightly shocked that i'd defrocked a priest Or else i attract The guys who are longing to do my hair You can always count on me
Though my kind of dame No doubt will die out like the dinosaurs You can always count on me I'm solely to blame My head gives advice that my heart ignores I'm my only enemy
I choose the kind who cannot introduce the girl he's with There're lots of smirking motel clerks who call me, "mrs. smith" But i've made a name With hotel detectives who break down doors Guess who they expect to see You can always count on Bet a large amount on You can always count on me
GABBY: No lack of alibis Your knack for the spectacular is still intact I like the tone of it It rings sincere and pretty near succeeds It's just the narrative Is like a sieve and cloudy as a cataract There's not a trace of honesty so face the fact It needs ... work
You dodge emotion, dear Your logic's unconvincing as it strains to please Unlike the books you write This plot is quite contrived the way it reads It's far too obvious And filled with flaws and gross implausibilities Excepting for the part about the broken keys It needs work
Your fiction always had A little grit in it A little heart in it A little wit in it It used to be so clear That there was art in it If you had written it So must you go and spit in it And come to think of it Your writing always mirrors our relationship
With dangers cropping up And sweet young strangers popping up like weeds So if you wish official pardoning You better do a little gardening Ya know ya needn't be so gen'rous with your seeds Your fertile lies don't fertilize It needs work
We used to sit in bed and read each draft out loud We'd play each part and talk the story through Remember all we said and how we laughed out loud Now take a closer look at you I oughta throw the book at you
You had to ruin it This plot has got a lot of deja vu in it Familiarity And in this case we both know what that breeds But call me anytime you seem yourself When you've decided to redeem yourself When you discover where this self deception leads I'd rather see you shoot yourself Than watch you prostitute yourself Your new routine is too routine It needs work
STINE: Funny, How'd i fail to see this little bed time tale was funny? I could cry to think of all the irony i've missed! What an unusual twist Right at the end of it
Funny, Who could see that this pathetic scene would be So funny Once you strain to find the grain of humor Underneath Life double crosses with style Forcing you into a smile So it can kick you in the teeth
Just desserts We can all laugh till it hurts At my expense I'm accustomed to working on "spec" I always pick up the check
I think it's funny Who could top or make this comic op'ra more Compelling You could weave in some deceit to even up the Score
You'd have us all on the floor That would be roaringly funny Sad enough my life's a joke that suffers in the telling Just another hoary chestnut from the bottom drawer I've heard so often before That i can't laugh anymore
STINE & STONE: I'm nothing without you Without you I lack what it takes Unless we're combined I have half a mind To blow all my chances and breaks
(STINE hands STONE the gun; STONE hands STINE a pencil)
Without you I'm bupkis A flop who keeps dropping the ball It's time to stop quaking Start taking the lead And you are the singular buddy I need
I'm nothing without you Without you I'm nothing...
(STONE gestures "Wait!," X's to the desk, sits at the typewriter)
STONE: (Spoken, to STINE) Let's give this a Hollywood ending!
(HE strikes a few keys on the typewriter And the giant doors at the back of the sound stage open to admit GABBY, Who joins them, to the delight of the COMPANY, now unfrozen)
STINE, STONE & GABBY: (Sing) I'm nothing without you
STONE: No hero
STINE: A zero
STINE & STONE: That's me
GABBY: With you by my side
STONE: There's no better guide
ALL THREE: On how to be all I can be
I'm nowhere without you To doubt you is where I went wrong
The script calls for fusing and using our smarts (As STINE, STONE and GABBY get on the crane platform:) And greatness can come from the sum of our parts (The ENTIRE COMPANY joins in)
ALL: From now on I'm with you And with you is where I belong
City of Angels is a satirical musical comedy with music by Cy Coleman, lyrics by David Zippel, and a book by Larry Gelbart. The show takes a critical look at Hollywood through the eyes of Stine, a successful writer who is adapting his latest novel into a film.
The musical explores two parallel storylines: one following Stine's struggles to adapt his novel, and the other taking place within the world of the film he's creating. The musical also serves an ode to the classic film noir genre of the 1940s.
-Wikipedia